LATEST ADDITIONS

Mark Craven  |  Jul 11, 2013  |  0 comments

This subterranean cinema room, the work of ET Home Cinema from South Yorkshire, doesn't want to hide its light under a bushel - with the owner adamant that Bowers & Wilkins Diamond speakers were to be used for the front soundstage, there was little choice but to let these stunning-looking cabinets steal the show.

Richard Stevenson  |  Jul 10, 2013  |  0 comments

Sitting in the shadow of Yamaha’s flagship Aventage receiver, the £1,500 RX-A2020 is a big and hefty lump of AVR goodness. The range build and cosmetics are superb, even if there is a serious hint of Harman Kardon about that full-width black Perspex screen, and the display is bold, bright and large enough to see from the other side of the room – even if you live in a sports hall. The rest of the fascia is pleasingly minimalistic and the sculptured knobs, different sizes at that, have a cool and solid feel to them.

Steve May  |  Jul 10, 2013  |  0 comments

When the light falls just right, Sony’s W9 LED TV glints emerald, like something precious – which, indeed, it is. This 40in thinscreen follows hot on the heels of one of last year’s finest LCD displays, the HW8, and seeks to maintains Sony’s forward momentum with a modicum of extra functionality and a splash more AV refinement.

Ed Selley  |  Jul 09, 2013  |  0 comments

French manufacturer Cabasse has been producing the Eole for some years and this is the latest revision. £1,000 buys you a single large box containing five identical satellites, a Santorin subwoofer and, handily, a pair of floorstands and 40m of speaker cable.

Anton van Beek  |  Jul 09, 2013  |  0 comments

Having got his start working in New York's George Eastman House archives - home to one of the largest collections of silent films in the world, as well as a good portion of Martin Scorsese's own private collection - James White has become one of the leading lights of film restoration in the UK.

Anton van Beek  |  Jul 08, 2013  |  0 comments

It may not be Mario Bava's most inspired film (to put it mildly), but that hasn't stopped Arrow from pulling out all the stops with this release. The Blu-ray offers a choice of three versions of the film - the original Italian cut, the export version of the same and the seven-minute shorter US edit - all handsomely restored and presented as AVC 1.74:1 1080p encodes. The LPCM 2.0 mono soundtracks are equally impressive. Arrow's typically satisfying selection of extra features include a commentary, trailers, a Bava at Work behind-the-scenes photo gallery and an interview with fellow Italian filmmaker Rugero Deodato.

Anton van Beek  |  Jul 07, 2013  |  0 comments

Considering the sizeable challenges the restoration team faced with Mario Bava's legendary horror anthology, this Blu-ray release of Black Sabbath is nothing short of miraculous. Both the Italian and US edits of the film boast wonderfully rich colour palettes and pleasingly natural levels of film grain throughout. The only extras on the HD platter are a chat-track and a fascinating featurette examining the differences between the two versions of the film. However, additional interviews and trailers can be found on the DVDs included in the set.

John Archer  |  Jul 04, 2013  |  0 comments

While Bang & Olufsen products are extremely expensive, they’re also generally world-class performers. And the brand’s new BeoVision 11-40 40in TV – starting price £5,250 – continues that high-quality trend.

Richard Stevenson  |  Jun 29, 2013  |  0 comments

We may still be in the grip of economic gloom but I can see some light at the end of the consumer electronics market’s long dark tunnel, and that light is home cinema. During this recession, the electronics industry has fared even worse than other consumer goods sectors and has had more dips than a fondue party. The general public are simply not buying TVs and audio systems like they used to. In fact, throughout 2012, the UK public purchased half as many TVs as it did in 2006.

Anton van Beek  |  Jun 28, 2013  |  0 comments

The original Die Hard is one of the best action movies ever made, something which makes the utterly generic nature of this fourth sequel all the more harder to stomach. A Good Day to Die Hard isn't an absolute clanger – there are a couple of standout action scenes and the script is certainly no more stupid or poorly plotted than your typical Die Hard aspirant. But there's the rub: this isn't some Under Siege-style wannabe, it's a genuine Die Hard sequel and – rightly or wrongly – John McClane's legion of fans expect so much more.

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