LATEST ADDITIONS

John Archer  |  Apr 15, 2013  |  0 comments

The arrival of any new projector using JVC’s consistently outstanding D-ILA technology sets HCC's pulse racing. But it’s fair to say we’re even more flustered than usual at the delivery of JVC’s new DLA-X55 model.

Anton van Beek  |  Apr 14, 2013  |  0 comments

Barry 'Rain Man' Levinson makes a surprise foray into the world of low-budget eco horror with this found-footage flick. Smart and gruesome, with a real message to impart, The Bay is definitely worth a watch. And yet, outside of a couple of clever conceits (and cost-saving implications), it's hard to see just how much was really gained from tackling the material this way, rather than in a more straightforward manner.

Mark Craven  |  Apr 13, 2013  |  0 comments

In this sharply-scripted black comedy, Colin Farrell's struggling screenwriter has a title for a movie – Seven Psychopaths – but nothing else, so turns to his dog-napping friends (Sam Rockwell and Christopher Walken) for input. Yet they have problems of their own, having accidentally grabbed the beloved pet Shih Tzu of a violent mobster (Woody Harrelson). Soon the trio are having to deal with psychopaths of their own...

Anton van Beek  |  Apr 12, 2013  |  0 comments

Sex and violence make arresting bedfellows in Kaneto Shindo's 1964 period horror. Every bit as beautiful as it is chilling, Onibaba's magnificent black-and-white photography certainly holds up well in high-definition. Eureka's AVC 2.40:1 1080p encode is easily the best it has delivered to date for an Asian film, courtesy of its immaculate detailing and near perfect contrast. LPCM dual-mono audio exhibits some background hiss, though. Extras may appear fairly slight (just a filmmaker's commentary, video intro from Alex Cox, on-set footage, trailer and 36-page booklet) but they complement the film extremely well.

Anton van Beek  |  Apr 11, 2013  |  0 comments

Radley Metzger is one of the more intriguing US directors to have ever worked in the world of softcore erotica. Like much of his work, this 1970 feature mixes art-house sensibilities with softcore nooky, the end effect in this case being akin to a smutty version of Alain Resnais' French New Wave darling Last Year at Marienbad. And it's doubtful that the film has looked this good in a very long time thanks to Arrow's pleasing AVC 1.85:1 1080p transfer (a full restoration is needed, but would undoubtedly be far too expensive for a movie such as this).

Anton van Beek  |  Apr 10, 2013  |  0 comments

What is it going to take to convince Joel and Ethan Coen to stop messing around with remakes of classic British crime capers? While they didn't actually direct Gambit (unlike 2004's The Ladykillers), they're still responsible for the laugh-free script that forms the backbone to this Colin Firth and Cameron Diaz 'comedy'. Clearly realising that the film was a dud, the distributor hasn't bothered with any extras beyond a promo featurette and trailer. Still, at least the detail-rich AVC 2.40:1 1080p visuals show that no corners were cut when it came to presenting the film in HD.

Anton van Beek  |  Apr 09, 2013  |  0 comments

Having already written Training Day and Dark Blue, it's safe to say that David Ayer feels at home in the world of cop movies. End of Watch is undoubtedly his most accomplished work in the field to date, using a fractured mix of found footage and cinema vérité styles to put viewers bang in the middle of the action. As expected given the source material, the AVC 1.85:1 1080p encode has some issues – but it's undoubtedly true to the original photography.

Steve May  |  Apr 08, 2013  |  0 comments

Steven Spielberg’s inspirational Holocaust classic Schindler’s List makes a visually impressive high-definition debut with this 20th Anniversary release.

John Archer  |  Apr 08, 2013  |  0 comments

According to the current AV buzz, plasma TV technology is on its death bed. Having spent a week with Samsung’s sensational new PS64F8500 plasma TV, though, I can’t help but think that plasma has never felt more alive. 

Anton van Beek  |  Apr 05, 2013  |  0 comments

In the wake of ITV's sucess with the rating juggernaut that is Downton Abbey, the BBC really needed to pull out all the stops to re-establish itself as the king of Sunday evening costume drama. But who on Earth would have guessed that the Beeb would try to do it with a Daily Mail-baiting cop show set in Whitechapel circa 1889? Both gripping and ripping, this gory crime series' meticulous attention to detail shines through the Victorian gloom on Blu-ray thanks to six sultry AVC 1080i encodes. If only they were accompanied by worthwhile extras or something more acoustically involving than constrained DTS-HD MA 2.0 soundtracks...

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