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Ed Selley  |  Nov 30, 2010  |  0 comments
Tuner three-pack Martin Pipe thinks light-emitting diodes give Panasonic the edge, but there are plenty more features to its first LED model

Panasonic is currently the king of plasma TV. So much so, that its LCD screens often get overlooked. Now, though, it’s joined the LED market, with a range of TVs from 19-42in. This set, the TX-L42D25B, is the biggest in its arsenal. Is it good enough to challenge the LED lineups of Samsung, Sony et al?

Ed Selley  |  Nov 30, 2010  |  0 comments
So nearly an LG legend John Archer finds a lot to like about this 50in plasma TV – and a couple of flaws, too

Proof of just how seriously LG is still taking plasma is abundantly clear in the brand’s latest flagship TV, the 50PK990. Thanks to its slim frame, single-layer finish and novel colour scheme, which subtly infuses a touch of blue into the stand and bezel, it certainly cuts a dash.

Ed Selley  |  Nov 30, 2010  |  0 comments
3D for everyone John Archer is surprised to see a 3DTV for only £1,500, and wonders if there’s a catch

This 46in TV with full HD and frame sequential 3D playback costs just £1,500, not in excess of £2K like every other active 3D TV. In other words, it promises to be the set that brings 3D to the masses. Since it uses a standard CCFL backlight, it’s loads fatter than the wafer-thin delights of Samsung’s edge LED models. But it’s still fairly stylish for all that.

Ed Selley  |  Nov 30, 2010  |  0 comments
Teardrop explodes Runco flirts with the mainstream market to spectacular effect, as John Archer discovers

Runco projectors tend to combine huge bodies with even bigger price tags, which makes the LS-5 a real surprise.

Ed Selley  |  Nov 30, 2010  |  0 comments
Marantz reloaded With the SR7005 Marantz has shaken off its reputation for staid amp performance and is now a home cinema supremo, as Richard Stevenson discovers

I confess that I have never really been excited by Marantz’s AV receivers. They were never ahead of the features game and always aired too much on the side of sonic caution for my liking. Safe, reliable, solid and about as exciting as endurance snail racing. When the SR7005 arrived I brewed a really fresh cup of Horlicks, put my slippers on and settled down for an evening of light entertainment.

Anton van Beek  |  Nov 29, 2010  |  0 comments

When we last left Bella (Kristen Stewart) and Edward (Robert Pattinson) at the end of ...New Moon, they'd just returned from an exciting visit to Italy with the 110 year-old vampire agreeing to change his 18 year-old love interest into a vampire after they get married. Bella had also discovered that shirtless Jacob (Taylor Lautner) and his equally topless chums weren't part of some 'alternative lifestyle' branch of the Boy Scouts of America, but were actually a clan of werewolves who really don't like vampires and have the ability to transform into big cuddly CGI wolves whenever the budget can stretch to it.

Anton van Beek  |  Nov 26, 2010  |  0 comments

The A-Team is an extremely silly film – an over-the-top cavalcade of ludicrous action, broad humour and macho attitude that rarely ever stops for breath. But, what else were you really expecting from a movie remake of this particular ‘80s TV franchise?

Anton van Beek  |  Nov 22, 2010  |  0 comments

Toy Story 3 is possibly the year’s most surprising film. Given the narratives and themes explored so brilliantly by its two predecessors, it’s hard to imagine any new ground or fresh ideas that could be explored. And yet, thanks to the brilliance of the creative minds at Pixar, what could have been little more than a crass exercise in financial, rather than artistic, franchise filmmaking has emerged as the most exciting, creative and touching films since… well, since the last Pixar movie, in all honesty. Surprising then, and also one of the year’s very best films.

Anton van Beek  |  Nov 13, 2010  |  0 comments

Avatar is a frustrating film in so many ways, not least the fact that while Cameron has clearly spent years creating an engrossing and entirely believable new cinematic world, he then uses it as the backdrop for a fairly ordinary tale packed with wooden acting and leaden dialogue.

Anton van Beek  |  Nov 10, 2010  |  0 comments

Beauty and the Beast ranks up there amongst Disney’s animated crown jewels. A critical and commercial smash, this charming film even held the distinction of being the only animation to be nominated for the Best Picture Academy Award until Pixar’s Up got the nod earlier this year.

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