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The Back to the Future Trilogy should play an integral part in every home cinema fan’s collection, standing proudly alongside the like of the Star Wars, Indiana Jones, Jurassic Park and Alien boxsets.

Predators was designed to be the sequel that Arnold Schwarzenegger’s 1987 hit has always ‘deserved’ according to producer Robert Rodriguez. What he and director Nimrod Antal have delivered is effectively a reworking of the original, with a selection of trained killers finding themselves kidnapped and taken to a strange jungle where they’re hunted by invisible creatures. That said, despite lacking much in the way of original story ideas, Predators is a perfectly enjoyable piece of disposable cinema, with decent performances, good FX and plenty of violence.

When it came to football games I was always a Pro Evolution Soccer man. However, since the dawn of the current generation of games consoles, like other fans, I'd suffered through several iterations of PES that failed to live up to expectations, struggling to come to terms with the graphical capabilities offered by the hardware and seemingly taking a step backwards in gameplay terms at the same time. And the ever-popular FIFA franchise was no solution, seemingly still stuck in creating a more arcade-based take on the sport that traded depth for special moves.

Moulin Rouge! is the pinnacle of Baz Luhrmann’s cinema of excess. Described by the filmmaker himself as ‘belonging to a cinematic vernacular where you are essentially heightening the cinematic experience’, this bold, brash and electrifying attempt at re-creating the movie musical for a modern audience offers little original in the way of narrative. But the way it is designed, staged and filmed, not to mention the inventive use of pop songs throughout, makes it a film like nothing you’ve ever seen before – and we wouldn’t have it any other way.