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Sam Dalmas (Tony Musante), an American writer living in Rome, witnesses a woman (Eva Renzi) being attacked in an art gallery. Attempting to help, Sam ends up trapped in a glass atrium and can only watch as the woman is stabbed and the attacker gets away. Following the incident, Sam grows increasingly obsessed by the idea that something he witnessed during the attack didn't make sense. But as he embarks on his own investigation, Sam and his girlfriend Giulia (Suzy Kendall) become targets for the mysterious killer.

When African-American Chris (Daniel Kaluuya) agrees to spend the weekend in the country with his white girlfriend Rose Armitage (Allison Williams), visiting her wealthy parents, he can't help but feel nervous about how they will react to his presence. Despite being welcomed with open arms by neurosurgeon Dean (Bradley Whitford) and psychiatrist Missy (Catherine Keener), Chris is still left feeling uneasy by the subdued behaviour of their black servants. The next day, things get even more uncomfortable when Chris finds himself the centre of attention at a rather unusual family gathering…

When Disney first announced its plans to create live-action versions of its classic animated movies, it was accompanied by much wailing and gnashing of teeth from film fans who wondered why they were bothering. But with the provocative Maleficent, witty Cinderella and spectacular Jungle Book, the studio has shown a willingness to tackle familiar stories in refreshingly new and surprising ways.

From the Avengers to Transformers, Jedi Knights to the Knights of the Round Table, it often feels like every other film Hollywood puts out is either part of an established franchise or the first step in trying to create a brand-new one. But if you think this focus on sequels, spin-offs and shared universes is a fairly recent phenomenon, think again.